What to Expect From the Resident Evil 4 Remake

Limiting Leon's mobility and making it harder for him to avoid threats forces the player to be much more thoughtful about shot placement, leveraging the game's excellent hit animations. It also forces the player to be smart about positioning and using the environment to their advantage whenever possi

_ Code Veronica _ , on the other hand, builds up on plot threads established by the original trilogy in order to tell a story that was meant to set-up a final confrontation with Umbrella. While Chris and Claire don’t have much in the way of character arcs, they contrast nicely with the main villains, leading to surprisingly poignant classist them

Catra from She-Ra and The Princesses of Power and Amity Blight from The Owl House also change their hairstyles to serve their character development, whether that be accepting their own sexuality and leaving behind oppressive familial structures or welcoming those who once pushed you away and putting aside a toxic life of villainy. Once again, these are all female characters confronting a heteronormative society and fighting back against it, even if said worlds are fantastical in nature and far more eccentric than our own. If done right, characters can still be grounded and relatable, as their struggles become ones we can sympathise with. It’s beautiful, so perhaps there’s a reason this tried-and-true trope has so much staying power in modern media.

It’s heartbreaking, with Zelda’s increased trepidation as she marches towards oblivion reflected in her distrust of Link, an aura of royal pretentiousness that inevitably morphs into fondness over time. Link begins his journey as a knight tasked with watching over the princess, but eventually becomes a close friend she can confide in when everything seems lost. It’s powerful, and the fact something this emotionally resonant is told through the medium of discordant flashbacks is quite an accomplishment.

Men are already in positions of power in these scenarios, so women are left to comprehend the opposite gender’s mistakes and find a way forward of their own accord. It’s empowering to an extent, although the fact that women are made to throw away what is seen as conventional beauty purely to grow into something one would define as independent still leaves a bad taste in my mouth. On the flipside, this rejection of traditional femininity is equally as groundbreaking, showcasing that societal norms aren’t something these heroines have to abide by. Other characters are often left shocked and outraged at these changing tides, but that’s the whole point - it’s a statement that’s supposed to inspire.

It’s a symbolic gesture of growth, a sign she is able to move forward with an appearance that abandons the regal pretense of her namesake and the royal family she was born to serve no matter the cost. Zelda has long been bound by the shackles of her own lineage, and it’s something this iteration of the character will not be constrained by. She’s confident, bossy, and compassionate in a way that Zelda has seldom been before, and cutting ties with these other versions of herself through abandoning her golden locks is a fitting end to a character arc filled with misplaced doubt regarding exactly where she belongs in the world.

While the original Resident Evil 2 and 3 are fairly similar games, Resident Evil 4 is an action-oriented title with a faster pace than its predecessors. This variation in source material means that the Resident Evil remake series is likely pushing into new territory, leading to debate on what should and should not be changed from the original g

Her presence in Breath of the Wild 2 doesn’t inspire confidence. In past trailers she explores the underground caverns of Hyrule Castle with Link before coming across the corpse of Ganondorf. It’s cursed or something, chronological mode Gaming so our hero is quickly infected with an ancient curse as Zelda is yeeted into a dark hole of oblivion. I desperately hope she isn’t stuck there for the entire story as a generic damsel in distress, because the first game helped prove that her character is far more than the archetypal mould from which she was born. Nintendo needs to subvert expectations, whether it be through additional playable characters or a narrative that is far from traditional. Pull a Majora’s Mask - we rarely see numbered sequels in the canonical timeline, so it’s time to try something that isn’t afraid to alter the landscape.

Resident Evil 4 uses a control scheme that many players consider to be dated. In a departure from more modern third-person shooter controls, the protagonist and fan-favorite character Leon can't strafe, with left or right inputs on the controller rotating him in place. While this might feel unintuitive at first, and it certainly takes a little bit of getting used to for new players, it's actually an important design cho

There are also some other possibilities in the direction Resident Evil 4 may take, given the direction of the recent two Resident Evil remakes. For example, it has been speculated that spiders were cut from both games because Capcom wanted the series to take on a more realistic approach. If being more realistic is the trajectory Capcom wants to maintain in developing more Resident Evil remakes, including its fourth game, there are some obvious stand-out features in Resident Evil 4 which defied the franchise's more realistic traditions previously, and were more akin to third-person action games at the t